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Armando Agnini
Armando Agnini (1884/85-1960) was a successful Italian stage director of opera.
== Metropolitan Opera ==
Born in Naples, Italy, he went to the United States at the age of eighteen. He was associated with companies in Boston and Montreal, and made his debut with the Metropolitan Opera with a production of ''I puritani'' (with Maria Barrientos), in 1919. His work was seen at the Met until 1934, with ''Il barbiere di Siviglia'' (with Titta Ruffo as Figaro, and, later, Elvira de Hidalgo as Rosina), ''Lucia di Lammermoor'' (with Amelita Galli-Curci and Beniamino Gigli, later Toti dal Monte), ''Tosca'', ''Aïda'' (with Rosa Ponselle, later Elisabeth Rethberg), ''Madama Butterfly'' (with Geraldine Farrar and Giovanni Martinelli), ''Rigoletto'', ''Cavalleria rusticana'', ''La bohème'', ''Manon Lescaut'' (with Aureliano Pertile as des Grieux), ''Pagliacci'', ''Zazà'', ''La navarraise'', ''L'oracolo'' (with Antonio Scotti), ''Il trovatore'', ''La forza del destino'', ''L'amore dei tre re'', ''Manon'', ''Samson et Dalila'', ''Boris Godunov'' (with Feodor Chaliapin in the name part, and Ezio Pinza as Pimenn), ''Faust'', Pizzetti's ''Fra Gherardo'' (United States premiere, conducted by Tullio Serafin, 1929), ''La traviata'' (with Ponselle, later Claudia Muzio and Tito Schipa), ''Les contes d'Hoffmann'', ''Il signor Bruschino'' (U.S. premiere, 1932), ''Lakmé'' (with Lily Pons), ''L'africaine'', ''The Emperor Jones'' (with Lawrence Tibbett), ''Simon Boccanegra'', ''Gianni Schicchi'', and ''Roméo et Juliette''.
Agnini was also on the staff of the San Francisco Opera, and guest-directed in Mexico City, Buenos Aires, Rio de Janeiro, London, Paris, Pittsburgh, Philadelphia, and Chicago.
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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